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<p style="text-align: justify;"><span style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 12px;"><span style="color: #000080;"><strong><span style="color: #000000;"><span style="font-size: 18px;"><span style="color: #000080;"><strong><span style="color: #000000;"><span style="font-size: 20px;">Slängpolska</span> <span style="font-size: 15px;">(<span style="color: #ff0000;">Click Here - </span></span></span><a rel="nofollow" href="http://videos.dancilla.com/m/v/se/arge/gds/001/Clip1610.wmv"><span style="color: #000000;"><span style="font-size: 15px;"><span style="color: #000000;"><span style="font-size: 15px;"><span style="color: #ff0000;">Slängpolska, video</span></span></span></span></span></a><span style="color: #000000;"><span style="font-size: 15px;">)</span></span></strong></span></span></span></strong></span></span></span></span></p>
<p style="text-align: justify;"><span style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 12px;"><span style="color: #000080;"><strong><span style="color: #000000;">The Slängpolska ("släng" Swed. for "toss, throw, chuck") is a Swedish folk dance and sometimes also the description of certain folk music tunes. The dances bearing the name slängpolska can be divided into two major types.</span></strong></span></span></span></span></p>
<p style="text-align: justify;"><span style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 12px;"><span style="color: #000080;"><strong><span style="color: #000000;">The first type is for two or four people, and is one of the sixteenth-note versions of the polska. The dances of this type usually have in common that they are danced on the spot, either during parts of the dance or during the entire dance. Focus is on different holds and on the divisions between them, and these divisions could be responsible for the name slängpolska. A typical slängpolska of this type could consist of two basic set positions: one in which the couple is spinning around one another while holding crossed hands outstretched with centrifugal force, the other in which the couple is spinning around one another in a closer position while holding the partner's shoulders and arms. The division between the two parts of the dance is then made by e.g. both dancers spinning out from their hold and then spinning once on their own with a clap of hands, followed by a returning to the hold. A common dance step consists of four steps distributed in the following way over three beats: one long, two short, one long ("one...-two-and-three...") Beat 1, 2 and 3 have almost equal stress and length, which also is reflected in the corresponding music. A very free variant of this slängpolska type, consisting of walking through the room with different holds and turning on the spot with different holds and the same walking steps, could just as well be danced to 2/4 or 4/4 time music, as do the related norwegian dances <i>gangar</i> and <i>bonde</i>, but in Sweden it is most commonly danced to 3/4 time music.</span></strong></span></span></span></span></p>
<p style="text-align: justify;"><span style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 12px;"><span style="color: #000080;"><strong><span style="color: #000000;">The second type of slängpolska is more related to other polskas than to the above slängpolska type, in that the couples move counterclockwise around the periphery of the room, and choose to do so with or without rotation clockwise around an internal axis, one full rotation for each measure. The music and dances in this category share a high tempo, givin a "tossing" feeling, which is often reflected in the rotation part of the dance in the form of a jump or a lift as part of the step reoccuring in every measure until the couple decides to dance without rotation for a while. The name has been used from midwest Sweden (Värmland) to the north of Sweden, and there is a large diversity in music and dance character, since the name mainly refers to the tempo. Both in midwest and north Sweden there are examples of dances which can both be danced as a slower "polska" and as a faster "slängpolska" with retention of the basic steps.</span></strong></span></span></span></span></p>
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<p style="text-align: justify;"><strong><span style="font-family: georgia,palatino;"><span style="font-size: 18px;"><span style="font-size: 20px;">Hambo</span> <span style="color: #000000;"><span style="font-size: 15px;">(<span style="color: #ff0000;">Click Here - </span></span></span><a rel="nofollow" href="http://www.videos.dancilla.com/m/v/se/arge/dal/001/Clip93.wmv"><span style="font-size: 18px;"><span style="color: #000000;"><span style="font-size: 15px;"><span style="color: #ff0000;">Hambopolska från Södra Dalarna, video</span></span></span></span></a></span></span></strong><strong><span style="font-family: georgia,palatino;"><span style="font-size: 18px;"><span style="font-size: 18px;"><span style="color: #000000;"><span style="font-size: 15px;">)</span></span></span></span></span></strong></p>
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<p style="text-align: justify;"><strong><span style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 12px;">One of the potential origins of hambo is the polka-mazurka, a dance with many turns that was popular in Europe during the second half of the 19th century. The term polska-mazurka can also be found in notebooks from the beginning of the 20th century used by Swedish farmer folk-musicians. Mazurka is however today in northern Europe the name of a different dance than hambo, mazurka is played faster with a fast and short jump on the third beat.</span></span></span></strong></p>
<p style="text-align: justify;"><strong><span style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 12px;"><span style="font-family: arial,helvetica,sans-serif;">One of the turns in the dance was developed in about 1900 to a free-standing dance and was danced using older polska music, for example slängpolska, or other variants of polska, but with stronger emphasis on the first beat. In the early 20th century, an easier variant of hambo existed with a short forward step per beat for the first two measures before the turns began. The variants of hambo that are danced today, with so-called <i>dalsteg</i> (dal step) on the first two measures, was probably spread in the 1910s and 1920s.</span></span></span></span></strong></p>
<p style="text-align: justify;"><strong><span style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 12px;"><span style="font-family: arial,helvetica,sans-serif;">Another potential origin is <i>hambo-polska</i>. From about the middle of the 19th century until the beginning of the 20th centory hambo-polska was a very popular dance in parts of Sweden. Printed music exist for maybe a thousand hambo-polskor from this period. The title in printed music can however often be just polska. Hambo-polska, the dance and the music, is a mix between an older polska and newer dance like hambo without <i>dalsteg</i> and no particular stress on the first beat. Music is mostly in major. One theory is that the younger men who worked in the bigger town adopted their steps to new trends in the towns or did not learn the older dance but the younger women who still worked in the old villages kept the steps from an older polska.</span></span></span></span></strong></p>
<p style="text-align: justify;"><strong><span style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 12px;"><span style="font-family: arial,helvetica,sans-serif;">The very common use of accordion as the dominant instrument for dancing music 1910 - 1957 was probably one of the reasons for more stress on the first beat in hambo.</span></span></span></span></strong></p>
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